Lesleigh Owen and I undertook the experiment of "fatting" colors - making them swirl, shiver, jiggle, as if they were fat bodies. A kind of inspired synesthesia. An experiment in movement and color naming and color stretching.
Inner
Evening, Autumn: Fat Gold To The Memory of Celia
Dropkin (1888-1956)
The
sun wasn’t supposed to rise today.
They
predicted rain and wind,
All
the accompaniments of an autumn storm.
You
know the kind,
Where
the banshee blows over the roof
And
water howls from wherever
You
avoid the sky.
Instead
the early morning flamed so red
It
could have been a happy fat demon
With
wand, smoker and spikes.
“Sailors
take warn,” the saying goes.
Perhaps
they did so
As
the red slid into pink
With
a tinge of blue at the edges
Then
settled into a sun-culled lemon yellow.
It
chose to drizzle.
Then
at evening
Deep
and serious red and gold
Erupted
in a celestial coup d’etat
As
if to inform above
That
color was the new religion.
If
this is the case,
Then
you choose red purples and orange blues
For
morality
And
greenish shaded mauve
For
ethics,
Perhaps
the glorious fat swan
Over
the barely visible
Crescent
moon
For
group identity.
At
last light
In
a particular spot
On
Gardiner Street
The
trees and lamps
Fall
to the same
Softly
faded
Corn
dream.
So
close to night
The
hour comes
That
it begs a new season’s time.
Call
it inner autumn
The
fattest glad gold
You’ve
never imagined.
Frannie
Zellman